Out of perverse curiosity, we settled down to watch the opening episodes of both Power Rangers Operation Overdrive and GouGou Sentai Boukenger, having only minimal knowledge of both shows.
I’ve got to say that both take very different approaches to the theme of ‘adventurers’ and I can’t help but wonder if the level of difference in approach and style is of an equal proportion in the way that Gekiranger has been translated into Jungle Fever Fury.
As with many opening Power Rangers arcs of recent years, the first two episodes contain only minimal footage from their source material, relying mostly on setting up its own narrative, showing off with special effects and generally introducing the characters without the constraints of translating large amounts of back-story from one show to the other. Since Magiranger muddied the waters with Sakamoto Koichi’s ’second unit’ filming for Toei and the advent of digital technology allowing for re-editing of sentai footage, it’s become increasingly difficult for me to distinguish between the material. There’s still a division, but it relies more on noticing character changes than the film grain (a good example of this is Lilly’s sudden burst of over-excited arm clutching nervousness when in suit during Jungle Fever Fury episode #5).

Dig! Dig! Dig! Trio! Trio! Trio!
Most of the Boukenger footage in Overdrive #1 -2 appears to have originated with the main monster fight in Bouken #2. I say most because I just can’t tell anymore. As with the above screenshot, I’m left playing the game of ’sentai or not’.
What Disney has brought to the show, digital effects aside is another monster/villain suit in the shape of Flurious, who comes across as a bit of a Mortal Kombat villain. His arrival in Power Rangers canon heralds a sort of reverse-Wild Force-ism, which previously appended a central human villain to the story whereas Flurious’ use removes one.
The central characters of Overdrive are a mixed bunch, none of them being exactly traditional Ranger material. Each, however, has a distinct background whereas Boukenger #1 – 2 really only affords a back-story for Black and Yellow. Conversely, the most ill-defined of the characters of Overdrive is Yellow, who doesn’t really do much aside from get excited for two lines about cars (like Herbie Fully Loaded-era Lindsay Lohan-lite).

"Hey guys, aren't we forgetting someone?"

Michael Knight, a lone crusader in a dangerous world. The world... of the Knight Rider.
Of the Overdrive cast, I must confess that my favourite was Rose (played by English born Pinay actress, Rhoda Montemayor) who comes complete with ‘Rule Britannia’ opening sequence…it never fails to amaze what English actors/actresses will sign up for in the face of American financing…I’m surprised they didn’t cast her as a Nazi villain…speaking of which…
Indiana Jones reference, right off the mark.
Allegedly this is a good thing. The boy who dreams of adventure books and wears a cardigan into battle having won over my wife’s favour despite how Hasselhoffian his appearance might be. For me, he didn’t do much, though I was momentarily onboard for the butler signing up as the Red Ranger.
The contrast between him and Akashi Satoru/BoukenRed are more than striking. Of all Toei’s recent Reds, Akashi is one of the most likable, despite his relative youth. He comes across in the opening episodes of Boukenger as a strong and well defined leader whom it is hard not to have respect for, especially in his treatment of Inou Masumi/Bouken Black.
Whilst the majority of Overdrive’s opening was setting up the characters out of suit, 90% of Boukenger #1 takes place in suit, defining the characters not through an attempt to gain the attention of passing parents but by telling a good adventure story – something that really impressed me. I found that it was only during the robot fight that my own attention truly began to wonder. And now that we’ve mentioned the robot, I must say how impressed I was by the individual GouGou Vehicles and the DaiBouken formation. A lot of love seemed to go into the design and it really paid off, coming across with the versatile interchangeability (re: future toy sales) of the Gaoranger mech and the stylish detail of the GoGoV mech.

"Transform and Roll Out!"
As expected, Nakamura Chise was adorable and, whilst not really tested by the material, Suenaga Haruka remains a notable young actress bringing a degree of respectability not often seen in roles requiring pink spandex.
If anything could be said against Boukenger, it would be the lacklustre themes. Yamada Nobuo sounds like he phoned his vocals in whilst otherwise engaged and Psychic Lover’s ED theme is just…well, more of the same Psychic Lover pap. They’ve both got little moments of catchiness, but I soon found that whatever effect humming the tune might have wished to have was lost with the realisation that I wasn’t so much humming the lyrics, but repeating my cat’s name to the tune over and over again as he looked at me blankly.
(was there a point to that? who knows?)
In short, bring back Kageyama and Endoh for the OP/ED themes, Toei. You might earn yourself some more record sales if you do.
The trouble with all four of these episodes was that none truly inspired me to watch more. Each one was nicely done and well thought out (the award goes to Bouken #1 for being the best of the bunch) but none of them really captured my imagination the way that other series have.
Not a terrible way to spend the evening of an otherwise frustrating day but certainly not the best.
Now how did that tune go again?
*sings cat’s name*